He has developed a unique graphic style by using old newspapers from various places around the world, using them as a canvas for his works with Indian ink and dry pastels.
By choosing to obscure all or parts of the original printed surface, he plays with the interference and possible connections between a tangible, everyday reality and the meanderings of his imagination.
By reinterpreting the codes of this outdated news, he offers a playful introspection of our daily concerns, submerging them in landscapes that transcend them, splendidly embracing poetic codes with a sense of humor.